There are good horror books out there, there are bad horror books out there, then there are books that I read that will stick with me for some time. We Need to Do Something by Max Booth III is one of those books.
In short, the book is about a family that is going through some serious marital trouble right at the same time that a tornado warning is issued and they have to hole up in a tiny bathroom together. Just the setup alone is tense! Throw in some odd weirdness, and this book doesn’t just crawl under your skin, it rips it off and wears it like a formal tuxedo.

While not similar in story, this novella gave me the same feeling and emotion as Penpal by Dathan Auerbach, Blood Meridian by Cormac McCarthy, A Head Full of Ghosts by Paul Tremblay, and The Merciless by Danielle Vega. We Need to Do Something evokes a sense of dread much like those other books. Plus, while not spoiling it in the least, the ending was somewhat ambiguous, leaving it up to you, the reader, to figure what you think really happened. I love those endings. 

The novella is short, so Booth wastes no time jumping right in. I was also very impressed that he was able to get us connected and invested with the characters so quickly.

Do yourself a favor, read this book! Do it now. And remember, it’s going to be okay. It’s going to be okay. It’s going to be okay. 

 

Warning, spoilers abound! 

I want to talk about the ending of this book. On the outside, we have a family trapped in their bathroom because a tree fell through the house and is blocking the door due to a tornado. No implausible in the slightest. Even the fact that they are trapped in there for days is not outside the realm of possibilities if the tornado was big enough. 

However, there is a sub-plot dealing with the POV character and her friend/love-interest, Amy. The two conducted a ritual that could have caused the craziness. One could dismiss it as nonsense and coincidence, or you could choose to believe that the two girls did, in fact, cause the apocalyptic destruction. These are the kind of endings that I love. The kind that make you think and wonder, and ultimately leaves it up to you, the reader, to decide what's going on. 

Near the end, the POV character is seeing all sorts of horrifying images. However, she's drugged and can't be trusted. So did she really see her friend appear with all the black tentacles controlling her body? Or was it part of her drug-fueled stupor? Her mother escaped the bathroom and came back frightened and rattled, but who knows what she saw, not to mention the mother is under A LOT of stress and isn't in her right mind either. 

Hands down, the most brutal aspect of this book is when the little brother dies from the rattlesnake bite. When the book started, I had an inkling that he was going to die. When the snake shows up, it only cements what is to come. However, it didn't make it any easier to read or experience. My hat's off to Max Booth III, he executed that scene perfectly. 

​Anyway, read this book. Seriously. 

​I recently watched, You Should Have Left, starring, Kevin Bacon and Amanda Seyfried. Here’s the short synopsis according to IMDB: A former banker, his actress wife, and their spirited daughter book a vacation at an isolated modern home in the Welsh countryside where nothing is quite as it seems. In a nutshell, yes. However, the story itself is a little more complex. The synopsis fails to mention that the banker (Bacon) was acquitted of murder charges back in the day for the death of his previous wife and that the actress (Seyfried) is very busy with movie shoots and always has her nose buried in her cellphone. She has film shoots scheduled for London, so the entire family decides to go together so they can spend more time with one another and end up renting a large house in the Welsh countryside. 

It’s a simple setup and we don’t really need much more than that. Early on we see Bacon’s character struggling with anger issues and confidence issues that stem from the age difference between Bacon and Seyfried. Even during the trailer, my wife was making comments on the age gap (it’s almost double, Seyfried being 34 and Bacon being 61). However, they address the gap in the movie and it is a source of contention. The other source, of course, being Bacon’s past with his wife. Even though he was acquitted of the charges and found innocent, everyone seems to believe he killed his wife (she drowned in the bathtub after overdosing on too many pills).

The other major player in this movie, is the daughter, played by Avery Tillu Essex, and I have to say, she was probably the best actor in this whole production. She’s nine years old, but in the movie, she plays a six-year-old. She nailed it! Wonderfully done!
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Once they get to the house in Wales is when the creepiness gets cranked up. Not to spoil anything, but the crew did an outstanding job with some subtle horror using the background in this film. Ever since watching the movie, Insidious, I have always kept an eye on the background of horror movies. This one didn’t disappoint.
The movie doesn’t waste any time ramping up the horror and creepiness and Bacon begins to descend further and further into his own paranoia, madness, and rage. While there wasn’t anything super original with this movie, I still found it enjoyable and would recommend it to fans of haunted houses or weird horror. Overall, I give the film a 4/5.
 
Now, on to the spoilery section of goodness. 

Still here?

Good.
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So where this movie excels is in the details. The house itself plays an important role. We find out later that supposedly the devil built it to collect souls, and that over years it has taken on different forms. The devil builds it, God destroys it, and the devil builds it over. The house itself is bigger on the inside than the outside, and it can shift its layout at will. This becomes quite disconcerting for the characters when the house decides to trap one or more of them.

We also find out that the house reached out to Bacon’s character. In a nutshell, it emailed itself to them as available for rent and Bacon assumed that his wife wanted it and vice versa. Once it got him, he couldn’t leave.
At one point, Bacon finds out that his wife has been having an affair and has a second phone. He gets angry and kicks her out of the house. That’s when the spectral shit hits the fan. Things get crazy, it takes his daughter and tries to trick him. He eventually gets her back and they take off on foot for the nearby town four miles down the road. However, the road leads them right back to the house (as haunted roads and houses do). Fast-forward a bit, and we find out that Bacon killed his wife and the devil has him and tells him he’s not getting out, but he can let his daughter go if he wants, or she can stay with him for eternity.

The next morning the wife comes back and he loads the daughter up and confesses. After that, he returns to the house to face his punishment.

The movie plays on the shifting floorplan quite well, and also plays with time-shifts. I loved how they portrayed the first time shift as it’s the first night in the house. Bacon leaves his wife upstairs to go turn off all the lights and we get a shot of the camera. He walks all through the house and is kind of amazed at how the doors keep leading to other spots and how big the place is. He ends up finding the laundry room with a creepy polaroid pic on the wall of a shadowy figure. By the time he gets back upstairs, for him it only felt like 10 minutes, but the next shot of the clock shows it was five hours.

Anyway, watch the movie, let me know what you thought. As I mentioned above, the concept isn’t new or original, but I think they did a great job with this one. 

I just finished up The Cuckoo Girls by Patricia Lillie. I was given a copy in exchange for an honest review. This isn’t the first time I’ve read Lillie’s work. I read The Ceiling Man a few years back when it first came out, and if you haven’t read that, then you are missing out. If you like Stephen King, it is a must-read.

The Cuckoo Girls is a collection of short stories, some of which have appeared in other anthologies, and some of which are original to this collection. Lillie’s style of horror is often very subtle and psychological, and she excels at her craft. I found most of the stories contained inside wonderful reads, but these jumped out as special to me:

“The Cuckoo Girls”: A woman and her sister encounter a strange teenage girl who appears everywhere they go. The girl seems harmless, but strange things start to happen. This story was fun because it’s a head-scratcher. It’s weird, wonderful, and creepy in its own way.

“In Loco Parentis”: A creepy story about a mother whose child isn’t the same anymore. I don’t want to spoil it, but this one gets under your skin and snuggles with you.

“Alyce-with-a-Y”: Lillie takes Alice in Wonderland, which is already kind of a crazy and unsettling story in its own right, and turns up the creep factor. It’s a fresh new take on things in Wonderland.

“And One for Azazel (with Jellybeans)”: One part Twilight Zone, one part Shirley Jackson, and one part Color Out of Space. This was probably one of my favorites of the collection. The ending is brutal.

“Wishing you the Best Year Ever”: What does a strange visitor in a tree, prophecies, and baseball have in common? Apparently, a lot and since this is a horror collection, it isn’t going to turn out good.

If you like subtle, slow-burn, horror, then do yourself a favor and check out this collection. You won’t be disappointed. 

I did an interview with Patricia Lillie awhile back. If you want to check it out you can read it here. 

I recently watched the Color Out of Space directed by Richard Stanley and starring Nicholas Cage. Overall, I enjoyed the film and it was nice to see a Lovecraft story get a big-budget movie adaptation. I am interested to see where Stanley takes his next two films (allegedly is he doing the Dunwich Horror next and then a third film all set in the same cinematic universe. The way they phrase that makes me think there will be some connection). While this movie was good, it wasn’t perfect. To summarize, there was some bad writing and dialogue, and some head-scratching moments, but we’ll get into that a little later. Plus, I found Nicholas Cage distracting in this film. He would go into some moments where he was supposed to be going crazy, and boy did he go crazy, but to the point that I was left scratching my head on what he was aiming at.

For those of you not familiar, the Color Out of Space is based on a short story by the same name written by H.P. Lovecraft in 1927 and is about a farm out in the Arkham countryside. A meteorite lands near the farm and begins to change the surrounding flora and fauna. The plants twist and change, and the animals become misshapen beasts and go mad. The people begin to exhibit the same changes as well. The film follows the same premise, but instead the story is set in the present day.

First, let’s hit the pros of this movie. I’m a huge fan of Lovecraftian horror and was excited to see this film. There was some amazing cinematography, especially with the opening shots of the forest and country. They even had a narrator reciting lines from the actual story which added to the tone and atmosphere of the piece. Imagine hearing this while we get some wonderful shots of the forest:

“West of Arkham the hills rise wild, and there are valleys with deep woods that no axe has ever cut. There are dark narrow glens where the trees slope fantastically, and where thin brooklets trickle without ever having caught the glint of sunlight.”
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The next great thing was all the nods to Lovecraft’s Cthulhu mythos. Some serious and others just tongue and cheek. For example, the daughter (Lavinia) was rocking a copy of the Necronomicon, which was fun, but at the same time posed some issues. The news company had an elder sign on their news van.

Some of the effects were cheesy, especially the CGI stuff; however, there were other effects, that I think were practical that reminded me of Evil Dead and those were great. The creature that we see near the end had a very Evil Dead feel.

The story is great and weird, especially as it moves along. I loved Tommy Chong’s character and I think he did an excellent job with it. There’s a creepy scene with Tommy Chong near the end. I don’t want to spoil it though.
Overall, if you like weird, cosmic horror, then check this film out.
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Now, on to the spoilers.

Now, let’s talk about the Necronomicon. If this is indeed set in Lovecraft’s mythical Arkham area, which it is, and there is the Miskatonic University, which there is because there is a surveyor from the university, then I have to believe that the Necronomicon is, in fact, a real thing as well in this world. Which, we find out through the storytelling, it is indeed. However, in Lovecraft’s world, the Necronomicon was an ancient text written by the Mad Arab, Abdul Al-Hazred

Lavinia is seen at the start of the film casting a spell. We’re made to believe that she’s using witchcraft by the way she’s dressed and the words she’s using. We find out through the spell that she’s trying to get rid of her mother’s cancer. Enter the student surveyor from Miskatonic who happens upon her in the woods, mid-spell. He is enthralled with what’s going on and ends up startling her. She quickly tells him that this is private land and he’s trespassing and that he interrupted her ritual. He askes if its type A or B witchcraft (which I’m sorry to say I forgot, I think he asked if it was Gardinian {referring to Gardner who started Wicca} or something else. She asks him which he thinks it is and replies with one and she says wrong. We’re led to believe that it was the other type of witchcraft when in reality she was conducting a ritual from the Necronomicon. This becomes apparent later in the film when she whips the book out and starts casting another spell and carving symbols into her body with a razor blade. We also see that she isn’t as affected as the rest of the family when the fecal matter is hitting the fan, perhaps due to the spells she casts. So with that being said, we can infer that she perhaps caused this whole thing by “summoning” the color creature from out of space.

Now here’s my problem with the whole thing. In Lovecraft’s work, the Necronomicon is a rare text with only a few copies out there in the world. It’s a very dangerous book capable of causing a lot of harm. The copy they showed looked like something you’d buy at a book store, like some sort of novelty. I found it pretty quickly on Amazon. So if this thing is the real deal in the movie, but you can buy it online or at Barnes and Noble then the Lovecraft Cinematic Universe is in big trouble.

​Shortly after the opening scene, the meteorite hits, seeming affecting the seven-year-old son, Jack the most as he can hear a loud buzzing. What kills me is after it lands, they all go outside and start poking the damn thing. I guess they don’t care about possible radiation or whatnot. Cage’s character seems to smell some god awful stink, but no one else does. It doesn’t take long before odd plants start popping up, the animals are acting strange, and the madness increases. 

The flora and fauna continue to change and we start to see that animals are fusing together. At one point we see a crazy llama creature that looks like it could have come out of Carpenter’s The Thing. Then, in one heart-wrenching scene, Jack and the mother get hit by a beam of light and are fused. It’s tough to watch because you can hear the pain in Jack’s cries throughout the whole thing. The mom can’t talk anymore and is only able to make aggravated mewing noises and groans. This combo-creature continues to morph until it becomes this, thing, that crawls around like a crab or spider, devoid of human emotion and purely animalistic. This was the Evil Dead moment for me as this creature looked like something Sam Raimi would have cooked up.

Finally, in one scene we get a glimpse of the creature’s homeworld. Wanna talk cosmic horror? It’s a world of wriggling masses. Loved it. 

​As I mentioned before, this film wasn’t perfect, but it left me wanting more and looking forward to Stanley’s next two films. 

For my next, Women in Horror Month feature, I’m happy to present To Be Devoured by Sara Tantlinger. Tantlinger is a Bram Stoker Award-winning poet and I believe this is her first published novella. Here’s the synopsis:

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What does carrion taste like? Andi has to know. The vultures circling outside her home taunt and invite her to come understand the secrets hiding in their banquet of decay. Fascination morphs into an obsessive need to know what the vultures know. Andi turns to Dr. Fawning, but even the therapist cannot help her comprehend the secrets she’s buried beneath anger-induced blackouts.

Her girlfriend, Luna, tries to help Andi battle her inner darkness and infatuation with the vultures. However, the desire to taste dead flesh, to stitch together wings of her own and become one with the flock sends Andi down a twisted, unforgivable path. Once she understands the secrets the vultures conceal, she must decide between abandoning the birds of prey or risk turning her loved ones into nothing more than meals to be devoured.


What a wonderful and disturbing tale from Tantlinger. Without spoiling anything, I have to say the downward spiral of the main character is horrifying and very well written. I enjoyed getting into Andi's head and watching the story play out. Tantlinger has an amazing eye for the visceral and many of her scenes made me cringe (in a good way). If you like bloody horror and ever wondered what raw meat might taste like (you know, that itch in the back of your brain that keeps asking what it would feel like to tear meat with your teeth and feel the splatter of hot blood on your cheeks...don't act like you don't know what I'm talking about, it's there, inside you, gnawing its way through your gut) then do yourself a favor and join the committee.

Continuing our journey through Women in Horror Month, I’m pleased to share my review of Donn’s Shadow by Caryn Larrinaga. Donn’s Shadow is the sequel to Donn’s Hill and if you haven’t read it, then I highly recommend you fix that as soon as possible.

Here’s the synopsis:

Return to the most haunted small town in America...
Mackenzie Clair finally has this whole ghost-hunting psychic thing figured out. The Soul Searchers are a hit, she’s got pet-parenting down, and she even has a plan to banish the poltergeist running amok at a lakeside cabin. Best of all, Donn’s Hill feels like home. But not everyone loves the town as much as Mac.
A world-famous paranormal debunker thinks the psychics in Donn’s Hill are lying about their abilities. His determination to destroy the Soul Searchers threatens Mac’s livelihood, and when a killer strikes, the sheriff’s suspicions threaten her freedom.

Mac needs all the help she can get to find the real murderer and clear her name… even if that help comes from beyond the grave.   

This novel is a mystery novel so I’ll keep this review spoiler-free. One of Larrinaga’s biggest strengths is creating a cast of believable, three-dimensional, characters. At one point in the novel, we are introduced to a person who by all accounts is supposed to be an asshat; however, this character has been nothing but nice up to this point. That being said, the protagonist trusts her friends’ opinions, and therefore by proxy, because Larrinaga has created these believable characters, I too trust in them.

On top of this, there were several unexpected twists in turns in this book. I am pretty sure I said WTF out loud more than a few times. It’s refreshing to see a storyline go in new and different directions other than the expected.

Something else fun in this book is the exploration into the world of psychics, mediums, and diviners. It’s obvious that Larrinaga did her homework on the subject and I learned a thing or two from this story.

The last thing I’ll say (unless I get into spoilers) were the scenes that were full of creepy tension. Who knew the slightest creak of a floorboard could be unnerving in written form. My hat’s off to her for being able to paint a picture vivid enough that I could easily see it in my mind as I read along.

Larrinaga leaves the story open for another novel in the Soul Searchers Mysteries, and I for one can’t wait until it comes out.
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While Donn’s Shadow stands strongly on its own, you’ll get so much more out of the tale if you read Donn’s Hill first. 

February is Women in Horror Month. In the past, I have taken the opportunity to highlight amazing women who write horror through interviews and such. This year, I wanted to do something a little different.

I decided to tackle my, to be read pile, and not only that, I decided to focus my efforts on all the kick-ass women authors in my, to be read pile. Therefore, to kick off Women in Horror Month, we’re starting with Betty Rocksteady’s novella, The Writhing Skies.

The Writhing Skies released back on Oct 1, 2018, from Perpetual Motion Machine Publishing. I bought it when it first came out and then it quickly found a home in my ever-growing pile of books. 2019 was a shit-show when it came to reading for pleasure, but I vowed 2020 was going to be different. So far I’ve stuck with that goal and I’ve read four so far.

Here’s the synopsis:

THE SKY IS HUNGRY
Glowing lights and figures in tattered robes force Sarah from her apartment. Outside, phosphorescent creatures infiltrate her every orifice. They want to know everything, especially the things she would rather forget.
Featuring 20 black and white illustrations.
 
It’s a short synopsis but it accurately hits on what this story is about. If you are a fan of weird cosmic sex horror, then this book is definitely for you.

First off, this book is strange. Rocksteady for sure hit it out of the park when she was going for cosmic horror. We never really find out exactly what’s going on, and that’s perfectly fine because the true horror isn’t what’s currently happening to Sarah and the rest of the world, rather the true horror lies in what has already happened to Sarah.

The story evoked all sorts of feelings, from horror, disgust, and sadness. My hat’s off to Rocksteady for being able to hit me with those kinds of feels in such a short tale. However, if you read my review of her collection of short stories, In Dreams We Rot, you’ll know that she is a very capable writer. Also, you can check out my interview with Rocksteady here where we dive into what makes her the awesome author she is.

This is a novella that makes you think, makes you cringe, and makes your face twist into all sorts of different expressions as you read it. Do yourself a favor and check it out.

Now, on to a spoilery discussion. Leave now if you don’t want to know the inner secrets of, The Writhing Skies.

As I mentioned above, while there are strange and horrible things happening to Sarah and the rest of the world, the true horror is what has already happened. As the story moves forward, we find out that she was coerced into having sex which results in a pregnancy. Her boyfriend is quite the ass and devises a plan to abort the child, giving Sarah false assurances that it won’t hurt too bad, that he’s done it before (that should have been a big warning sign), and that everything would be okay. We also find out as the story goes on that her boyfriend’s level of assery goes so deep that it puts the Marianna Trench to shame.

In short, his plan to abort the baby is kicking the shit out of Sarah until she starts bleeding. Truly horrifying, and while I would like to think that his chosen method of abortion doesn’t happen that often, I would probably be shocked at how often that it, or similarly dangerous methods occur. A reason why safe and obtainable abortion options need to be readily available for those who need them.

Horror often is a medium that highlights current social/political/economic issues and this novella didn’t hide that fact. Everything that is happening is a result of those choices as if the act itself awakened some cosmic beast from its slumber. The way the creatures or entities interact with Sarah is a metaphor for her own feelings on what happened to her. They can simultaneously make her feel at ease, pleasured, hurt, disgusted, sad, and confused, which I believe is how she probably felt during everything leading up to the abortion.
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This story stuck with me long after I finished it and I’ve thought about it many times.

The long awaited third book in my Dark Tyrant Series is finally live! It took me way longer than I anticipated to finish this book. I had to battle through busy life getting in the way, burnout, writers block, and just about everything under the sun. However, it's done. It's ready. It's here! Get your copy today.

Thulisile Mahlangu is the captain of an elite team of paramilitary soldiers trained to deal with large-scale supernatural crises. But when an Alpha Protocol is radioed in from an agent who was reportedly dead, Thuli and her team are put to the test. Their mission: verify the radio call, exterminate the problem, and bring the agent back to the Bureau of Investigation, Observation, and Defense of Extraordinary, Extraterrestrial, Demonic and Paranormal Activity. As time runs out, Thuli begins to question everything and wrestle with her own inner demons. If she doesn’t succeed, the Bureau will release an Omega team, and the Omegas have no problem scorching the earth to fix problems. Alpha Protocol is a fast-paced tale that is one part action thriller, one part supernatural horror, and a dash of dark comedy. ​

I recently went and saw the movie, Underwater and I have to say, I really enjoyed it. It spoke to me on a Lovecraftian level. First off, here’s the synopsis:

Disaster strikes more than six miles below the ocean surface when water crashes through the walls of a drilling station. Led by their captain, the survivors realize that their only hope is to walk across the seafloor to reach the main part of the facility. But they soon find themselves in a fight for their lives when they come under attack from mysterious and deadly creatures that no one has ever seen.

First off, without getting into any spoilers, let’s go over the good parts of this movie. I am not a huge fan of Kristen Stewart, but in this film she did great. They cast her perfectly for the character she was supposed to play and she did a fine job. Second, I always find T.J. Miller funny, and he didn’t disappoint this time around. He added much needed comic relief to an otherwise tension-packed film. Third, the director, film crew, and writers did a wonderful job utilizing isolation in this film. I’ve always found that horror works best when the characters are isolated from the outside world, and since this movie is set six miles underwater, you really can’t get much more isolated than that. Fourth, they didn’t reveal the monster too fast. Movie monsters do well to stay hidden, showing up only in glimpses or deep shadows. The magic is broken once we get the full reveal. It wasn’t until very late in the film that they showed the monsters in their entirety.
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Now, let’s get into the bad, and there was some bad. For one, this is an underwater research facility. Knowing what I know of government facilities in extreme locations, is space equity. In other words, there won’t be lots of open space. 

This movie opens showing wide hallways and an otherwise empty locker room that is frickin’ huge! No way are they going to go through the time and effort to build such a facility with that much empty space. Second, I had to roll my eyes when we see the peeps getting into their underwater pressure suits and they tell the newbie research assistant (a woman), ‘oh, you got to take off your pants because they won’t fit in the suit.’ At first, I was like, sure, okay whatever. But at one point we see a few of the characters get out of their suit and of course, the women are wearing nothing but sports bras and panties. The dudes…t-shirts and boxers that are baggy as all get-out. If you’re going to make a rule, then stick with it. I can go along with your bullshit rules as long as everyone plays by the same ones. The pants can’t fit…why is that? Too baggy? Then a t-shirt shouldn’t work either. They could have solved this by making them wear some special wetsuit or something like that other than making it about gratuitous skin shots.

There were a couple of other things I liked and disliked, but we’ll get into that in the spoilery section below. Overall though, the pacing was great, the tension was somewhat, and the story was fun. It’s not a deep movie (other than being six miles deep), but it was highly entertaining.

​I give it 4/5 underwater research facilities. 

Still here? Cool beans. We’ll flip the script here and I’ll start with somewhat I didn’t like spoilers. First off, it is way too easy to blow that facility to hell and back. Kristen Stewart only had to pull up a page on a touch a screen and then move some sliders, then we were into a 1 min countdown to self-destruct. No special codes or key cards. Nothing. Just flip to page two and slid the levels and kaboom. What the hell? Second, there were odd things playing in the background, like touristy music or welcome to Roebuck Station audio. This is an underwater mining/drilling facility, not a tourist destination. I can’t imagine that they’d be playing that crap over the speakers. But what do I know? Then, during the end credits we see newspaper clippings stating the company was going to go back and rebuild the facility and start drilling again. START. DRILLING. AGAIN. As if they didn’t’ learn their GD lesson the first time around.

As for the good, and this is where the movie sold it for me, was with the big baddy monster. It was a huge leviathan/kraken looking thing! It was amazing. They showed you the whole creature, but it was well done and near the end and so very worth it. I was instantly thinking Dagon or Cthulhu when I saw that sucker. I love that it was “woken” up by the drilling and came to wreck some souls.
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Super fun show. I totally recommend this movie if you’re into shows like Alien and the like.