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Mother! Movie Review

9/27/2017

 
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It’s been a few days since I watched this movie and I still really don’t know what to think. It’s directed by Darren Aronofsky and he’s done some odd movies in the past. I remember watching Black Swan and thinking it was okay. I’m not entirely sure that I liked this one. This is going to be a long post, so strap in.

Going into it, I didn’t know what to expect other than it was an intense psychological thriller that was fairly polarizing with its audience. I knew it had to do with Jennifer Lawrence and Javier Bardem, Ed Harris, and Michelle Pfeiffer and had to do with unexpected guests showing up to Jennifer and Javier’s home.

This first section will be spoiler free; however, the second section will be packed with spoilers as I get into the meat and potatoes of the movie. I will warn you before we get there though.

The concept was enough to pique my interest. I’m a recluse and somewhat anti-social, to begin with. Unless it’s a group of close friends, I don’t really like going to social functions, so the idea of a bunch of rando’s showing up to my house is uncomfortable.

First off, let’s dig into the story. It starts off showing us a burning image of a young woman crying, and a burnt out house. Javier places a glowing crystal in a stand, and the house reverts back to its former glory and we pan over to Jennifer’s character waking up in bed and finding herself alone. Odd right? But a neat hook because now I want to know more. Is it something that happened before, is it a portent of what’s to come? It’s a good hook regardless.

Jennifer’s character is married to the older, Javier and you get the sense that they have moved out to the middle of nowhere in an old family estate of Javier’s. The house had suffered through a fire in which we learn Javier’s family had died. Jennifer is there to offer him support while he suffers through a bad case of writer’s block. Meanwhile, she has been singlehandedly renovating the house and breathing light back into the darkness. We learn through interactions that Javier is a renowned poet, but hasn’t written in years. Things seem hunky-dory, although Jennifer suffers from odd hallucinations from time to time where she hears glass ringing/chiming and can see the burnt out vestige of the house underplayed beneath her renovation work. Every time this happens, she races upstairs to the bathroom and mixes a yellow powder into a glass of water to quash the visions. We never know what this concoction is. We can assume it’s to help her stop hallucinating; however, there’s a point in the movie where she stops taking it and I didn’t’ see any ill effects from that decision.

At first, the movie almost had a Yellow Wallpaper feel to it. That short story by Charlotte Perkins Gilman is one of my absolute favorites. I noticed some similarities between the two, as the main character from the story and Jennifer’s character both seemed to see things that weren’t there and were steamrolled by their male counterparts. Javier does a good job of dismissing some of the things Jennifer does in the movie, and when the “guests” begin to arrive, they constantly defer to Javier with the gratitude and appreciation, almost to the point of ignoring Jennifer’s existence. This movie, like that story, very much play into the misogynistic prejudices against women.

I felt as if Jennifer’s efforts to restore the house were downplayed in the eyes of the supporting cast, and when she mentioned that she did it all herself, she was met with disbelief that a woman could do something that extravagant.

There was a definite theme of vanity and pride throughout the film. Javier does a great job losing himself in his own work and success, and near the end of the film, we see almost a complete transition with his character.
Where this movie struggled, was with the story. I never got a clear picture on what the movie was really about. What was the plot? It seemed to flounder in spots, and once it was over, I felt like the entire first half didn’t really play into the second half at all. This is probably one of the biggest issues I had with the film, was the lack of plot. Perhaps I missed the point.

The acting was strange as well. Hats off to Jennifer Lawrence, I thought she did an excellent job, and Javier Bardem did well also. However, I felt as if everyone else was exaggerating their characters to the point that it was almost comical to watch, Ed Harris especially, although I couldn’t’ tell if this was done on purpose or not.
Finally, this movie was chock full of Christian symbolism. I don’t want to get into details in this section (we’ll save it for the spoiler section), but it goes out of its way to hit you over the head (pun intended, you’ll see why later) with its symbolism. The only reason I couldn’t quite figure out, was why?

Don’t see this movie if you have issues with seeing children depicted on screen hurt. There is a scene near the end that is very difficult to watch (details forthcoming in the spoiler section).

Even after writing all this, I still don’t really know if I liked this movie. I give this movie two and a half WTF’s out of five.

​Here there be spoilers. Ye’ve been warned. Also, this section is basically going to be a synopsis of the movie. 

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​Okay, let’s unpack this movie. As I mentioned above, there is a lot of Christian symbolism. Let’s start off with the movie posters. Jennifer is made up to look like the Virgin Mary and Javier is sitting on a throne of fire looking all sorts of the devil.
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In the beginning, there was darkness, then there was light. The movie opens with this motif, with the darkness being the burnt up house. Slowly it changes from ash and rubble to a cozy little cottage in the middle of paradise. Everything moves from dark colors to contrasting brightness. It’s their own little Eden. However, it’s Ed Harris and his wife, Michelle Pfeiffer that portray Adam and Eve. And if that’ the case, we are to assume the Javier is playing as God, and Jennifer while playing his wife, is really there because she adores him, and will be the mother of his child. There are also some interesting dynamics between Javier and Jennifer. He shrugs off her advances early on, unwilling to show her physical affection. It isn’t until later in the movie where she lashes out at him that he takes her in an uncomfortable sex scene that starts off very rapey. 

Anyway, I digress…back to Adam and Eve, Ed and Michelle. They show up to paradise, and immediately shit goes south. Javier starts to spend more time with Ed than he does with Jennifer, and even helps him out by removing some sort of tumor from his lungs? I dunno…there was a weird scene where he’s coughing and puking in the toilet and Javier is helping him. Jennifer walks in on the two. Ed is naked and bleeding from his side and Javier quickly covers it and yells at her to give them some privacy. The next day, Jennifer is cleaning up in the bathroom and there is some weird tumor looking thing stuck in the toilet. I suppose this is to show Javier’s healing powers?

Moving on from that, Michelle, Ed’s wife arrives and she embodies the very opposite of Jennifer’s character. She’s sultry, drinks, and smokes. She’s pushy where Jennifer is meek. At one point, she wants to go to Javier’s den and see the weird crystal thing, but Jennifer tells her to stay out of there. She has to warn her numerous times. Later, there is a crash from the den and Javier and Jennifer race up there to find Ed and Michelle standing by the broken shards of the crystal. Javier loses his mind and kicks everyone out. Later he comes out, locks the door and breaks the doorknob off (this is important), and then boards up his den stating that no one will get in there now. We just saw the comparison of Eve eating the apple and the both of them getting kicked out of Eden.

The next major scene that takes place, is when Ed and Michelle’s two sons arrive, bickering about their father’s will. A fight ensues and one of the sons picks up the discarded doorknob and caves in the other’s skull using the Cain and Abel finishing move. During the fight, the attacking brother’s forehead is injured and marked in the same way Cain’s is after killing his brother. Javier, Ed, and Michelle rush the man to the hospital leaving Jennifer behind to clean up the mess. And the Cain stand in rushes off into the wilderness.

It’s during this time where she is alone that we begin to see other things unravel. Up to this point, she had made some trips to the basement, but she ends up going down again and we really see some interesting comparisons. The basement is where the furnace is and I believe the representation of hell with its fire and brimstone (I know, hell isn’t always represented in such a way, but in this movie, I think it is). She’s cleaning up when the other brother returns to get his wallet that he lost during the altercation and he’s amazed that they left her behind. He can see what she means (or doesn’t) to Javier and wishes her the best of luck before departing. It’s at that time that Javier returns covered in blood and could really care less what happened to Jennifer, he’s more intent on telling her what happened to him. When she tries to tell him everything, he says he’s dirty and exhausted and wants to take a shower before going to bed. He invites her up, but she wants to finish one thing first. When she gets up there, Javier is already asleep.

Then, Ed and Michelle come back, and they have friends and family in tow. They are all dressed up nice for a funeral. Javier tells Jennifer that he invited them over to destress and have a place to hold a wake for the dearly departed. Jennifer doesn’t know what to make of it as guests continue to arrive in such a way that it reminded both my wife and me of the scene from the Hobbit where all the dwarves keep showing up at Bilbo Baggins’ home. The difference between the two was that the dwarves actually cleaned up after themselves and didn’t break anything, whereas the guests have no care whatsoever for Jennifer’s paradise and only care for themselves. In this scene, we get see Javier eating up being the center of attention when he gets to say a few words about the departed. We really see him revel in the wonder and awe that people throw his way while not caring at all about what Jennifer’s character is feeling. We also see a lot of reference between Sodom and Gomorra as the guests become more and more irreverent, sneaking off to bump the uglies, and guests even approaching her to fornicate and make merry (although the offer comes in a very forward, and disgusting manner). 

Finally, after asking folks several times not to sit on a sink because it hadn’t been braced yet, they sit on it and it breaks, flooding the house. This is the great flood that God sent to cleanse the world, and it’s the same in this movie. It isn’t until the flood that the people get the hell out of Dodge. After they leave, Jennifer confronts Javier about what happened and their life in general. They get into a heated debate and she says the reason they don’t have any children is because he won’t get it on with her. He takes that as a challenge and we get our rapey/love-making scene that’s about as uncomfortable as the rest of the movie has been. Afterward, she says she’s pregnant. Javier gets his inspiration back and begins to feverishly write again. We get a scene of her dumping the odd golden powder concoction that suppressed her hallucinations down the toilet, and we flash forward.

The next time we see her, she’s about ready to pop and the house is completely renovated. She’s putting the finishing touches on in the nursery and Javier appears saying he’s finished his poem. She reads it with tears in her eyes and confirms is a masterpiece and that it’s perfect. Next thing we know, we have a call from his editor (almost immediately) saying she loves it and it’s going to be huge. To celebrate, Jennifer makes a nice, candlelit dinner for the both of them, but before we can get to eating, more guests arrive. Fans of Javier’s come to see him and ask him about his writing. Instead of kicking them out, he embraces them, much to her dismay.

This is when shit goes from what the hell to dafuq quick. The crowd grows and grows, forcing their way inside. They set up a signing station for him to sign books. People shove themselves inside and soon they begin to take. They take anything they can, even ripping up boards because they want a piece of something that belonged to Javier. Things get violent and nasty. Then, the next thing we know, we’re seeing flashes from different places. Jennifer is standing next to some sex slave prison in Eastern Europe, then we’re in a war zone and people are dying in a hail of explosions and gunfire. The crowd is growing bigger and getting crazier, turning into a cult worshiping Javier, idolizing him. Jennifer is going into labor and fighting with the crowd at the same time. When all seems lost, Javier finds her and rushes her back to his boarded up den so she can give birth. Once she gives birth, the crowd outside grows quiet. Javier goes to see what’s up and finds that they have brought the baby gifts and are waiting to see him. We’ve just seen the birth of the son of god, and they are showering him with gifts just in the bible.

Jennifer has caught on to Javier’s bullshit now though and refuses to give the baby up. He wants to take the baby and show the crowd his creation. It becomes a battle of wills. He sits in a chair staring at her as she sits on the floor with the baby. Soon, exhaustion kicks in and the next she knows, is she’s awakening to find him with the baby walking out to the crowd.

This is where it gets very disturbing. She rushes after the child, but when she catches up to Javier, the crowd already has the baby. They are crowd-surfing the infant around like he’s a giant beach ball at a Smashmouth concert. Then, because the child’s head isn’t supported, its neck snaps. Jennifer rushes through the crowd demanding that they give her the baby back, sobbing with real emotion (props to Jennifer Lawrence again, her acting was superb). When she finally breaks through, her baby is gone, its body mutilated by the cult. People are eating bits of the child, ingesting it like it’s the body of Christ. She flips out and starts stabbing folks with a shard of glass and kills a few before they lay the smackdown on her. For a moment it looks like they are about to beat her to death and desecrate her body when Javier shows up and shields her. He says they are sorry for killing his son, and all they want is to be forgiven (hitting us over the head with more religious symbolism). He says that they need to find a way to forgive them so that his son’s death wouldn’t be in vain.

Jennifer has had enough and breaks free, racing back down to Hell, eh…I mean the basement where she breaks open a big gas/oil tank. Javier tries to stop her saying he loves her, but she’s seen through all his lies and states that he doesn’t love her, that he only loves that she loves him. She lights the place up and it blows, killing everyone and burning the house down.

After you see Javier walking through the rubble relatively unscathed. He picks Jennifer up and carries her to bed. In the end, she confesses that she still loves him, and he needs her sacrifice and love to start anew. She agrees and he plucks her heart out and turns it into the same crystal we saw before. When he places it up on the mantle, the house renews and there is a new woman in his bed: the cycle starts again.
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Final thoughts.
To wrap up this journey, I really think the theme of this movie is about love and sacrifice in the name of God. I got the feeling that Aronofsky isn’t a big fan of religion and used his story as a metaphor to show how much craziness happens in the name of God. I also feel like Aronofsky perhaps sees God in a negative light with not giving and only taking. However, I like to think that Javier was playing Lucifer trying to recreate what God had made and failing miserably every time. I find that story more interesting. I’m not a religious person at all, but I still failed to find what the movie was really about (talking plot here). But, as I mentioned before, perhaps I missed the point. Was this movie a horror? Sure was. Was it disturbing? On many different levels. Will I watch it again? No. 

Where are the Elk?

9/13/2017

 
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Seriously, where are they? This year I didn’t draw any of the hunts I put in, which left my only option as over-the-counter elk. After a lot of debating, I finally decided to go with over-the-counter elk archery, mainly because I had a lot of fun last year and I felt like some of the spots would pan out this year.

I didn’t have much time to up and scout before the season, so I decided to go do some light hunting/scouting in late August. I figured I would go up with my wife and dad, check the area out, and maybe put up some trail cameras.

Well, that’s when shit started to go south. For starters, my dad hurt his back somehow and bowed out of the trip. Then, four days before I was supposed to go up, I passed a kidney stone…a bad one. As the days went on, I felt like I could go up the mountain as the pain was starting to subside. That was a bad choice.

My wife and I went up, set up camp and did an evening hunt at a spot that was alive last year, this year, it was completely different. There wasn’t very much sign of elk plus it had a different vibe than last year. No big deal, I had a pocketful of other choices. The next morning we’d get up early and hit a spot that I liked. Well, that night the train carrying the shit toward the fan left the station. I couldn’t sleep a wink and my kidney was killing me.

When morning came, I was feeling a bit better, so we decided to go check out the spot. We were a little late getting going because I couldn’t sleep until 0430, but it was better than nothing. On the way up I saw an elk through the trees but couldn’t range it and get a shot off before it was gone. Then we spooked another one as we were hiking to a spot. Overall, pretty good. On the way back, my kidneys started really hurting me. All the hiking with the pack was taking its toll. When we got back to camp, I laid down, but it was only making it worse. After some thinking, I decided to pack it up, which was a good call because on the way down the mountain the pain was getting worse. We ended up spending the night in Vernal. I think the shower and soft bed worked wonders because, after that day, the pain never came back.

Fast forward a couple weeks and it was time for the proper hunt. It would be me and my friend Page going up. The plan would be to head up Friday, hunt that evening and come back three to five days later depending on how things panned out. The fact that I saw one and spooked another gave me hope that they were up and moving around the area. Oh, how wrong I was.
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Page and I hunted all over, hitting all my good spots and some we had heard about. We saw no elk and very little sign in the area that they were even there. The best we found was a few scat piles that looked like they could be a day or two old. They weren’t responsive to our calls, and we couldn’t ever hear them. This tells me that they just weren’t in the area other than the few rogue elk passing through. It was very frustrating, to say the least. The spots we were hitting were ideal for elk, and old sign said they had been through there before, but they just weren’t there now. 
For one, I think it was still too hot for the elk. The cold snap hadn’t hit yet, and thus, the pre-rut hadn’t hit yet which was why they weren’t vocal. Second, I think they just weren’t in the area. For whatever reason, they hadn’t ranged into the region yet, perhaps they were higher up (although I was camping and hunting at 9200 feet, and the peaks around me weren’t much higher than 10,000 feet.

At one point I think I may have been talking with another cow elk. I’d hit my call and it would answer, but when I tried to move closer, it got quiet and never started up again. Perhaps it was my mind playing tricks or even another hunter.
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Now don’t get me wrong, even though the hunt was a bust, I still had a great time. It was great to come up and spend a night with my wife in the wild for the earlier portion, and it was awesome spending some time up here with Page roaming the mountains. It would have been wonderful to harvest an elk, but Fate deemed it wouldn’t happen this time around. I did find a couple more spots that could be promising for future hunts, especially a rifle hunt. Perhaps next year I’ll do rifle for the elk. We’ll see. In either case, being up in the mountains and the trees has helped relieve a lot of stress and refresh my mind, making it worth it. 

Review of the Movie, It (2017)

9/12/2017

 
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I recently watched the newest adaptation of Stephen King’s, It, directed by Andy Muschietti. Overall, I enjoyed. It was well done, and while it didn’t completely follow the source material, I think that the changes didn’t hurt the story at all, in fact, in some ways, I would dare say it made the story better. I’ll get into a spoiler section later, but for now this will be spoiler free.

First off, the movie is set in the 80’s, which for me, works. However, I will say this, it gave me a heavy Stranger Things vibe. Mainly because Finn Wolfhard was in it and played the part of Richie Tozier. Plus, on top of that, the town of Derry looked a lot like the town of Hawkins. On the surface, Derry feels like any sleepy town; however, there’s something floating in the background, something that wakes every few decades to feed. I’ve always loved the concept of It and what it does. Speaking of background, this is a movie to pay close attention to the background. There are small things going on that add to the depth and flavor of the movie. For example, keep an eye on the television when Beverly walks through her house. Another great background Easter egg what the name of the pharmacist. In the original made-for-tv movie, the pharmacist's name was Koontz, a nod to Dean Koontz. In this new version, his name is Keene, a nod to Brian Keene, a modern horror author.

There was a part in the movie where the background was creepy as hell, and I have no idea if it was intentional or not. It’s when Ben is in the library, shortly after the librarian gives him a book on the town’s history and tells him he should be outside playing. As he’s looking at the book, the camera pans out so you can see him reading, and it looks like the librarian or someone similar is standing the background grinning at Ben. Watch it and let me know what you think.

I thought that Muschietti did an excellent job with the feel of this iteration of It. The movie gave a nod to the original adaptation while still having its own vibe. There were also times that felt almost like a nod to the Evil Dead franchise, especially the scene with Beverly in the bathroom and with the leper attacking Eddie.

Another great part of the movie (as pointed out by my lovely wife), was the layering of real monsters vs. supernatural monsters. For example, Beverly’s dad and Eddie’s mother are both prime examples of real monsters, people who abuse their children. There are some moments in this film where they are way scarier than Pennywise. The bullies are also frightening, mainly due to the fact that they have been left unchecked (apparently by the power that Pennywise has over the town, making people ignore or look the other way at the bad things happening). Generally, bullies will scare or rough someone up, but I tend to believe that the majority of them would stop short at trying to actually kill someone.

I also liked how Pennywise did his best to separate the kids whenever they were together. I won’t get into details, but it shows how together they were strong, but separate they were easy prey.

The movie had faults though. I thought the editing near the end fell short. At one point one of the kids is suddenly in a different part of the sewers. There was no lead up to it, nor any explanation. A simple edit showing It leading him away would have sufficed.

There was another point in the movie where the kids find the shoe of a missing girl in the sewer…THEN NOTHING EVER COMES FROM THAT! It bugged me for the rest of the film. I mean, it would have been neat to see them take the shoe to the police, and then have the police (obviously under the influence of Pennywise) wave it off like it was nothing, or that they didn’t believe them. It would have added another layer as well as closed that loop.

Another fault was some bad CGI in the beginning of the movie. The opening scene with Georgie is way more brutal than in the made-for-tv show, but part of it was destroyed when Pennywise opens his mouth and his teeth grow. It didn’t look finished and took me out of the story.
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This leads me into another point, seeing the monster. In this movie, and story, we see Pennywise almost right off the bat. On one hand, I suppose it takes away some of the fear of the monster. Monster movies in general work better when the viewer never gets a full view of the creature, as we tend to fill in the blanks ourselves and fear of the unknown is powerful. On the other hand, this isn’t a traditional monster movie, and we need to see Pennywise. I did miss Tim Curry playing Pennywise; however, Bill Skarsgard does an excellent job bringing the dancing clown to life. He did great with the movements and general attitude.
I give it three and a half red floating balloons out of five. Definitely worth a watch.
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Now, on to the spoiler parts…only go forward if you don’t care, or if you’ve seen the movie. You’ve been warned.
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I liked Pennywise’s lair much better in this one. The pile of children’s things an all the floating children made a lot more sense than the spider’s lair in the original adaptation. Makes more sense when Pennywise says, “you’ll float too.” Also, I liked how the kids pretty much put the beat down on Pennywise. It works way better than a single slingshot of silver to the head, it also shows how strong the kids are working together.
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That’s about it for spoilers, go see the movie. I can’t wait for the next one.

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