​About a month ago I watched a movie called, Resolution. It was released in 2012 by directors Justin Benson (who also wrote the screenplay) and Aaron Moorhead. It starred Peter Cilella and Vinny Curran. In a nutshell, the movie is about a man who receives a videotape of his friend falling further and further down the vortex of drug abuse and decides to help him out. His idea of help is found in the form of traveling out to his buddy's house which is located in the middle of nowhere and handcuffing him to a pipe to make him quit drugs cold turkey. When he gets there, we find out that his friend didn't send him any videotape, and that's when things get strange. 
 

​I watched this movie because of the movie, The Endless, which debuted this year. The Endless looked like a crazy, cosmic horror that was right up my alley, and after a little research I found out Resolution was made by the same directors and was set in the same world. I am glad I watched Resolution, because, while The Endless isn't so much a sequel per se, it is connected, and there are things that happen in both movies that could be confusing if you don't watch both. They complement each other well, and I highly recommend watching both if you like strange horror stories.
 
Word of warning though, if you are the type that needs all the questions answered in a movie, then you best pass on this one. Even after watching both of them there were still questions. 
 
Where these movies excel, is with the uncanny cosmic horror. With Resolution, it's merely hinted at, but The Endless takes that idea, sets it on fire, and runs it down the road parading it like the Olympic torch. 
 
Here's what worked with Resolution: the acting and strange goings-on work on a level that spoke to me. I like my horror weird, creepy, and head-scratchy for the most part, and this movie hits those marks. It was weird, in a good way, with some genuinely creepy moments.
 
Where it begins to fail (although after watching both movies, the failures are actually successes; however, I realize that someone shouldn't have to watch both movies to fully understand something...movies, like books, need to stand on their own two feet) is with the randomness of the weird things happening. It got to the point where I thought that perhaps the writers and directors just compiled as much weird shit as possible and ran with that idea without fully realizing where the destination would be. The ending is strange and left me with more questions than answers.
 
Now, let's circle over to The Endless. There is a scene in Resolution where the protagonist comes across members of a UFO death cult. It's a very short interaction, but one that has bigger impacts with The Endless. Two of the people he met in that interaction are the main protagonists in The Endless. They play as brothers who left the death cult. They receive a strange video of the other members welcoming them back, and long story short, they decide to go back for one day. 

​Much like Resolution, strange things begin to happen once they arrive. The cultists are creepy, but not in the fact that they are psychopaths, but more in the fact that they almost appear normal. They have a couple of outliers in the group, but for the most part, fairly down-to-earth (pun intended).
 
As I mentioned before, where Resolution left you with the idea of cosmic horror, The Endless solidifies it. There's something out in the woods (which isn't a spoiler) that the cultists are worshiping. When the lead cult member is asked by one of the of the brothers, he responds with this (paraphrasing here), "it's something different for everybody. If you want to know what it is, then go find out for yourself." I really liked that notion. 
 
The movie also had a mix of moments. There were a couple of genuine comedic (albeit, dark comedy) moments that stuck out. I won't spoil it here, but one of my favorites was when they gave one of the characters a gun that had been requested. Mixed with that, were some terrifying moments...again, no spoilers, but the tent scene was particularly disturbing, especially when you realize what's going on, and what that character inside the tent is having to live through.
 
On a subtler level, there is an aspect of horror with seeing a difference in reality. The older brother realized that staying with the cult would mean their potential death, which is why he took his younger brother and left so long back. The younger brother only remembered the good things about the cult, and when faced with his not-so-great present quality of life, he wanted to go back. The movie was great with showing the conflict between these two and the decisions they must face as the story pushed forward. 
 
There were a couple of plot holes and head shakes, but for the most part, The Endless was solid. The acting was good, the story was great, and the atmosphere was amazing. I found the ending somewhat ambiguous. I took it one way while my wife saw it differently. It kind of ties back into the quote of, it’s something different for everybody. It touched on all the key points of cosmic horror for me and left me wanting another movie by these two directors. Overall, a great addition to the cosmic horror movies out there, and I consider it a must see if you like horror movies that have a weirdness to them.
 

I saw this hit video on demand a few months back, but I never got around to watching it. It finally came on Amazon Prime so I gave it a try. The Blackwell Ghost is a "documentary" about a independent filmmaker who takes on a project to find out if ghosts are real or not. It's marketed as a real documentary; however, I have my doubts on things. Real or not, it was still entertaining and pretty creepy. Here's the trailer.

The documentary follows a man who says he used to film zombie films but wanted a change of pace. He comes across a YouTube clip of a ghost walking out of a hotel room and decides he wants to look into hauntings. Here is the clip of the ghost coming out of the hotel room. 

He tries to look into that but gets contacted by a guy who claims to live in a haunted house. The dude flies out there to meet the guy who owns the house and we get a bit of backstory on the residence. Basically, legend has it that back in the day the woman who lived there was a little crazy and kidnapped kids, chopped them up, and threw them down a well that was located in the cellar. The guy goes on to say that he experiences supernatural phenomenon almost every day in the way of noises, things moving, and other common haunting stuff. 

Later on, the filmmaker is invited by the owner to come back and spend a few nights in the house while he's away on vacation. The filmmaker takes the man up on his offer and craziness ensues. 

There aren't really any jump scares in this movie/documentary, but where it works is the slow build of tension that is executed in a practical way at the end that still manages to get under your skin. I question the authenticity of the documentary aspect, as some things happen in this that seem a little to coincidental and done for entertainment; however, it didn't detract from the experience. If you like quiet, slow building, ghost stories, check it out. It was only an hour well worth the time.

I finally was able to get out and see the movie, Hereditary, and oh my lord, what a weird and creepy movie. It is unsettling on many levels, and kind of sticks with you after you've seen it for a bit. First off, the trailer didn't do the movie any justice; however, after seeing the flick, I'm not sure how you can effectively cut a trailer for this movie. I'm going to tackle some non-spoilery stuff first, then we'll get into the meat and potatoes of this show.

First, let's talk about the story. On the surface, it's about a family dealing with the death of a mother/grandmother. Digging deeper and peeling away the layers, it's about so much more. This movie is about loss. Loss of family, loss of sanity, and loss of self. 

I have to give some major kudos to actor Toni Collette, she knocked this one out of the park. She shows a wide range of emotion and kept this story moving. Another big shout out to Molly Shapiro who played the daughter to Toni Collette. I think she portrayed having mental issues very well. The trailer made it seem like this movie was going to be about her, and in a way it was. But, as I mentioned before, the trailer is misleading.

Overall, this movie excelled in its creep factor. The way the angles were shot, the music, and the use of light (or lack thereof) all came together and made for some shots that actually sent chills through my body. There were some specific scenes too (which I'll get into in the spoiler section) that stuck with me  after the credits rolled. 

The movie starts out slow, but once it starts moving, it doesn't stop. ​One thing that I enjoyed, was the unreliable POV of Toni Collette's character. She suffers from some issues where you have to question if what she is seeing is real or not. It made me question everything she saw and that was great. I love movies that leave things up to the interpretation of the viewer. 

As for some of the cons of the movie, there are a few things that happen make me question the actions of the main characters...one of those things where they act a certain way and you just roll your eyes. It wasn't anything crazy, but enough to make me raise an eyebrow.

Another issue of the movie is some of it doesn't make sense. I'll get into it a bit in my spoiler section. Overall, these things didn't detract from the experience and if you're into weird, creepy things, then go watch the movie. It's hard to compare it to anything, but the closest thing I can think of is maybe The Witch. They play on the theme of isolation, strange things going on, and overall creepiness. Plus, Utah connection! The movie was filmed in Park City and Salt Lake City. I thought it was looking familiar while I was watching it, then I saw a Utah plate on a vehicle in a scene. 

​Anyway...on to the spoilers!  

Let's get into the spoilers. The trailer sets this movie up to be some sort of supernatural little girl scary movie, and I suppose on some level, yes, that is part of this movie. However, I almost thought this would take a turn much like The Omen or maybe Firestarter where the little girl was going to be the main character of this show and the family was going to be dealing with her powers. But HOLY SHIT, 1/3 of the way into this movie she gets taken out in a gruesome accident that takes her head off. So if you're sensitive to kids dying, don't see this movie. They end up showing her head later on the side of the road all decomposing and covered with ants.

All of sudden this movie took a turn and it started getting even weirder. There were some traditional witchcraft overtones early on that I saw that reminded me of the maiden, mother, and crone. The paganism angle gets heavier and heavier until it comes to an end. You come to find out that the grandmother was part of a coven that was trying summon Paimon who is a duke of hell or a king or hell depending on what source read.

I loved how they weaved mental disorders into actual paranormal happenings. At one point Toni Collette explains to a support group that her mother was crazy and that she had mental issues. She mention that her brother killed himself and blamed the mother stating that she put voices in his head. After seeing the show, we can see that she was trying to plant an evil demon into him. It makes me wonder if her issues stemmed from the same source, or if she actually had some issues. 

Here are some questions I have about the movie that perhaps someone smarter than me can answer. First, was Charlie really Paimon (a duke of hell that the grandmother was trying to summon and that the coven finally successfully summoned)? I don't quite understand how her spirit was connected to the whole thing.

Second, how do you not know that there is a dead body in your attic? That shit would start to stink something bad I would imagine. They make some cursory comment about it during the movie, but come on...I think it would be worse then that. 

Third, the family witnesses some strange seance go down and the next day they just move on like nothing happened. I mean, if I saw things go flying off the table, flames shooting out of candles, and my mom speaking in tongues, I don't know what I would do, but going on about my business like nothing at all was out of the ordinary would not be it.

Anyway, the scene when Toni Collette crawls up the wall and is banging her head against the crawlspace door was creepy as hell. Then when she's cutting her own head off with a wire...oh man, chills. Any time they showed a spirit in the darkness was very well done, especially the scene with the head and the ball (if you've seen it, you'll know what I'm talking about). 

Well worth a watch if you're into creepy stories. I highly recommend it.

Daniel Yocom, creator of the Guild Master Gaming blog did a really nice review of my collection of horror stories, Tales from the Storm: Vol 1. Check it out!

http://guildmastergaming.blogspot.com/2018/06/tales-from-storm-volume-one-by.html 

What kind of books/stories do you write?
*Horror, fantasy, science fiction, and some good old-fashioned western. You know, the kind of thing at which a lot of people turn their nose up. I’ve never had much use for reading a book about someone getting up and going to work, then going home for dinner. Unless, of course, that person encounters an alien on the way to work, arrives home to find a slaughtered family member with an orc standing over the body. I have enough angst and worry in my own life; I don’t really have time to have it in my fiction. But, if that’s your thing? More power to you. I say live and let live. You write what you enjoy, I’ll write what I enjoy and we’ll (hopefully) both be happy.
 
When did you first realize you wanted to be a writer?
*I think it was sometime in the fourth grade. Mrs. Pardoe made a positive comment on something I had written. I’ve been seeking more of that praise ever since, as well as the fulfillment I felt at entertaining someone with the written word.

What do you consider the most influential book you've ever read?
*Man…that’s a tough one to answer. A lot of genre writers point to On Writing by Stephen King. I’m not going to, although it’s a good work. I think that The Phantom Tollbooth would be on that list, largely because of the brilliant wordplay and great message. Also on that list is Killer Angels (one of only a few books that has ever brought me to tears) for teaching me that well-written books could truly cause tears. The Shining (one of only a few books that has genuinely scared me) for, well, teaching me that the written word had the power to terrify. I’m also a Lord of the Rings fanatic; the prose, poetry, and world-building (including language creation) is truly amazing. I could probably go on for pages about my influences, actually.

What other authors are you friends with, and how have they helped you become a better writer?
Sheesh…where do I start? Who do I offend by leaving off the list (or, in some cases, putting ON the list)? I know I’ll forget someone (and if I do, it’s unintentional), but I’ll start the list with you, Cody.
 
Cody Langille: Expand my horizons.
D.J. Butler: Persevere; stand up for myself.
Tracy Hickman: It’s OK to reinvent myself; the need to listen to the voices once in a while.
Bob Defendi: Humor is perfectly acceptable in large doses as well as small ones.
Brad Torgerson: Shoot for the stars, you may just make it there.
Paul Genesse: Dragons are real.
Alan Bahr: Tiny things can be really powerful.
Michael Collings: Poetry is cool. Really cool.
Michaelbrent Collings: Make sure that you breathe in every time you breathe out.
Nathan Shumate: B movies aren’t bad.
Johnny Worthen: Tie dye is cool and badgers are awesome.
David Farland: Magic systems aren’t easy to create.
Terra Luft: Someone out there will always need your expertise, no matter how random or obscure.
Scott Forman: Don’t feel the need to go along even when everyone around you is…just be yourself.
John Olsen: Just because you stick a gear on it, it doesn’t mean it’s steampunk.
Lehua Parker: Never judge a book by its cover.
Al Carlisle: Real life makes awesome book fodder.
Charlie Harmon: What others see as an obstacle may not be.
Michael Darling: Good guys don’t always finish last.
David West: Someone else thinks smoking jackets look cool.
Larry Correia: Pick a card. Any card.

What’s the best way you've found to market your books?
*Largely I’ve relied on various forms of social media. I also have some blogging friends that have passed along the message. It’s worked well enough, but there’s certainly room for improvement. It’s not the “best” way, but right now the “only” way, based on time and life factors.

What kind of research do you do, and how long do you spend researching before beginning a book?
*Name it. <laughs> Hours spent at the State Library. Ancient art objects found in online museum collections and galleries. Maps of all shapes, sizes, and types. Those ubiquitous internet searches that make most genre authors a little nervous about potential NSA monitoring. Most recently was a purchase of a vintage book filled with blueprints and sketches of Victorian houses. Inspiration and research can be found everywhere, so I have a hard time putting a time frame on my research. You could say I’m always researching, I just don’t know for what.

Any last thoughts for our readers?
*To date, much of what I’ve published has been with small presses (at least one of which is defunct). It can make for some easier publication, but more difficult distribution and marketing. But if you can get published, do it. Make sure you research the presses first, but be wiling to take a chance if the terms are in your favor. I’ve passed up some opportunities that I now regret. As with everything else, once an opportunity passes, it can be difficult to get it back.

What kind of books/stories do you write?
 
Most of the books and stories I publish fall into a literary genre called magical realism. Magical realism has elements of fantasy, sci-fi, and horror, but its main focus is on presenting magic or the supernatural in an otherwise realistic or mundane setting. Characters don’t use magic spells or technology to interact with the supernatural; it simply exists. Magical realism is what happens when the real world is invaded by things too strange to believe and often has elements of fables, myths, and allegory presented through an indigenous peoples’ perspective. 
 
Magical realism authors include people like Gabriel Garcia Marquez, Alice Hoffman, and Salman Rushdie. A lot of the work of Stephen King, Dean Koontz, and Joe Hill crosses into magical realism, but since they write from a western worldview, they aren’t identified with the genre.
 
Many of my books and stories are set in the fictional town of Lauele, Hawaii. Lauele is set in contemporary Hawaii, but it’s a Hawaii where ancient deities and cultural expectations and obligations have resonance and power. The supernatural lives among humans and interacts with them, but most human don’t realize it.
 
The people in Lauele are a lot like the people I grew up with. In my stories, characters face real-world issues and challenges that arise from Hawaiian vs. western culture perspectives. The stories are centered around defining family, understanding cultural heritage, preserving the past, navigating clashes between traditional Hawaiian values and western society, fighting nature vs. nurture, destiny vs. free will, and learning how to define oneself with integrity based on an internal moral compass. 
 
 
 
When did you first realize you wanted to be a writer?
 
I can’t remember the first story I wrote, but my mom has a few that I created when I was five or so. My first professional publication was an essay I wrote in the third grade that made it into the local newspaper. I’m not going to lie; autographing the copies to send to my grandparents was pretty cool.
 
Through my teen years and into college I had short stories, poetry, and essays published and a couple of plays and screenplays produced. At the same time, I was doing a lot of video work for cable tv as a writer, on-air talent, producer, and director. My parents encouraged me to follow the video path over the writing, so that’s what I did. (Actually, they wanted me to go to law school, but that’s another story.) I earned a BA in Communications by majoring in Mediated Message Design and Research with a double-minor in Creative Writing and Video Production.
 
My career has wandered like a drunken sailor. I’ve been a studio manager, television director, senior instructional designer, corporate director, ghost writer, copyeditor, theater critic, web designer, business and training consultant, and an English and history teacher—to name a few.
 
While writing and telling stories were always a part of everything I did, it wasn’t until about six years ago that I decided to go back to my first love and write fiction. It was snowing outside, so of course I decided to write about being at the beach. Without a completed manuscript, in 2011 I signed my first book contract with Jolly Fish Press for the Niuhi Shark Saga, a five-book MG/YA series.
 
 
 
What do you consider the most influential book you've ever read?
 
This is like asking me which child is my favorite. (It’s you, sweetheart, the one who’s reading this. Shhhhh. Don’t tell your sibling.) I’ve read more than 20,000 books and short stories and read another 200 or so book each year. I couldn’t tell you who my favorite author is, let alone which book was most influential. I seldom read a book more than once, but the books I return to are those by Diana Gabaldon, Jim Butcher, Stephen King, Michael Crichton, Terry Pratchett, JK Rowling, and Amy Tan.
 
 
 
What other authors are you friends with, and how have they helped you become a better writer?
 
At this stage of my career, networking and collaboration are less about becoming a better writer and more about becoming better at business. I’ve gone from a shotgun approach to focusing effort on events that are highly targeted and aligned with my own goals.
 
But when I first started writing again, I got heavily involved with many different writing groups. I even founded some of them. I understood the power of collaboration and networking and devoted a lot of time to building communities and supporting newbie authors.
 
Slowly, I realized that in order to keep the writing groups cohesive and relevant, I was spending all of my time on projects that built community, but took me away from what I was passionate about. My own writing was taking a backseat to organizing groups and editing other people’s work. My family life was suffering. Something had to change.
 
Over the last few years, I’ve significantly reduced the amount of time I spend with local writing communities. Because of this, I’ve been more productive and have four new books in print, sold several short stories, and placed essays with literary magazines. While I have a solid group of professional writing friends, we support each other through email and only see each other at big regional conferences or events.
 
 
What’s the best way you've found to market your books?
 
In May 2016, I received my rights back for the first two Niuhi Shark books from Jolly Fish Press. As Makena Press, I revised and republished them along with the third in the series in July 2016. I went from marketing as a traditionally published author to marketing as an indy press.
 
Marketing thousands of miles from my core audience is tough. By far the most successful marketing I’ve done was to take a few books to Hawaii and drop them off at libraries and schools. From those twenty donated books I’ve built a readership and following that is expanding across the Pacific. Schools are adopting the series into their curriculums, and I was nominated for a major children’s choice award. I do school visits using remote video conferencing and will be a featured guest at a children’s literature conference in Hawaii in 2018. Most of my sales are now coming organically from word of mouth.
 
Even indy-published, I sell about 100 print copies for every eBook copy. That means that most of the successful marketing strategies used by small presses and indy publishers don’t work for me. To grow my audience and market share, I’m looking to partner with an international big press publisher or distributor.
 
 
What kind of research do you do, and how long do you spend researching before beginning a book?
 
In between writing the books, I read a lot of journals and non-fiction books about Hawaiian history, culture, native plants, ecology, migration patterns—you name it. I also read a lot of literature about Pacific legends and myths. I watch Shark Week reruns. I’m constantly adding to my resource library.
 
Before I begin a new novel, I only outline a very basic plot and rely on my characters to tell me the story—I tend to write by the seat of my pants. When I’m in the middle of writing a book, things pop up that I need to know, but never anticipate, like how to customize the paint on a surfboard or how long it takes an active teen to rehab after losing a limb or how stowaways could get on a cruise ship or which K-Pop heartthrobs are the hottest this week.
 
During the creation phase, Google is my buddy and nemesis—a great black vortex that sucks me down interesting paths that never make it into a book.
 
 
Any last thoughts for our readers?
 
Writers by nature are a mercurial blend of chuffed ego, eternal optimism, and deeply held insecurities. The ones who are in it for the long haul are those who learn to define success by their own terms. They understand that as their career changes, what defines success changes, too. If you want to be a writer, write because you love it. Write because you have something only you can say. Fill your days with good books, movies, and music, but keep the most important things first in your life. Enjoy the time and season that you’re in. You may only be able to write an hour a day or in fifteen minute blocks. You’re still a writer. Compare less and enjoy more. The journey really is the destination.

Links: http://www.lehuaparker.com/ 

What kind of books/stories do you write?
I think they are all action-adventure but thrown in with fantasy, sci-fi, and horror.
 
When did you first realize you wanted to be a writer?
Really hard to say, but I’ve been writing my own stories since I was a kid and just figured I would always write books once I got older.
 
What do you consider the most influential book you've ever read?
That’s a very hard one. But the original Conan tales by Robert E. Howard are the ones that made say to myself, this is what I need to be doing.
 
What other authors are you friends with, and how have they helped you become a better writer?
I’m friends with lots of great people, more than I can possibly name here, but Dave Butler has been a remarkable inspiration for creative productivity and a can do attitude, Larry Correia tells it like it is, Jason King because he has faith in me, and so many more. I have to give credit to Carter Reid for introducing me to “My People” though, because before I knew Carter I felt very alone in the local creative world. All of them make me want to UP my game, so that’s good because it makes you grow and try harder. I’ve always got to be innovating and pushing myself beyond the comfort zone.
 
What’s the best way you've found to market your books?
It helps when you find a community, but on top of that, I had to finally ditch “Hope” as a marketing strategy and start learning what it takes to push books online. 95% of all my book sales are online, so I had to research and school myself on how to maximize that. And its something I’m still doing, still experimenting with. As the world changes, we have to change with it. I can’t say enough about utilizing Amazon Marketing Services – but you have to have things lined up just right. It is a science.
 
What kind of research do you do, and how long do you spend researching before beginning a book?
I’m often still researching while in the middle of the book and then even in the edits, I’ll be adding in things and tweaking it. So for me at least its an ongoing process. I usually have a pretty grasp on what I’m doinhg and where I’m going, but if something I find out “fits” I’ll find a place for it to heighten the story.
 
Any last thoughts for our readers?
I love this quote from Nick Cole, “Write the junk that you want to read.” I 100% agree with that, you have to love what you do.
 
Links:
My blog, www.kingdavidjwest.com

Because I think you're all super awesome and I want to share my work with you, I'm running a promotion for a number of my stories and books on Amazon. On April 14 and 15 only, the stories listed below will be absolutely free for Kindle users! Get them while they're hot, and if you feel like it, leave a review after you read them, I would greatly appreciate it. Thank you and keep the lights on while you read...

Terrence and the Magical Sword of Courage
Terrence is a magical teddy bear charged with protecting kids from all the things that go bump in the night. The only problem is, Terrence is scared of just about everything. Things go from bad to worse when Grubble of the Toms shows up with his turkey-riding goblins in tow. 

The clock is ticking and Terrence joins up with an unlikely ally to quest for the Magical Sword of Courage, a mythical weapon said to give the owner unlimited bravery. Follow Terrence as he travels to UnderBed and Closetville in search of the sword, running into crazy characters like the Bird Brothers, hobgoblins, and even the King of the Boogeymen.

Terrence and the Magical Sword of Courage is the first book in the Teddy Bear Saga. Readers both young and old will enjoy this heartwarming tale of adventure, friendship, and finding the strength to face one's fears.
​
All Aboard: Tales from the Storm
A set of railroad tracks appears overnight in a sleepy Utah town. Some residents find themselves trapped while others mysteriously disappear. Things take a turn for the worse when those left behind start receiving tickets to a train scheduled to depart very soon. Get your tickets ready for the conductor and find your seat for this fast-paced, supernatural thriller that will take you places you'll never be able to leave.

​Brine & Blood: Tales from the Storm
In a storm-ravaged Salt Lake City, private detective Bartholomew Morgan is on the case to find a missing person. During his investigation, he begins to uncover strange things, and the deeper he digs, the darker it gets. Follow Morgan through the twists and turns of this occult tale and see if he can save the world from drowning in darkness, brine, and blood.

Horishi Tom: Tales from the Storm
Utah Territories, 1867

Jeremiah Redford lost everything when his family was brutally taken from him. His quest to bring them back from the dead lands him in the abandoned mining town of Angus, Utah. What he finds in the town tests his sanity and his very soul. 

Be careful what you wish for because you might just find it.

The Spot: Tales from the Storm
Don't fall asleep. Avoid touching the spot. Don't stare at it the whole time, only once or twice an hour for measurements. Measure three times for an accurate reading. It shouldn't grow... 

Graham travels through a blasted wasteland to take up his turn at the watch, monitoring the status of a mysterious spot in the basement of a crumbling hotel. Getting there is harrowing enough, but will he have enough energy, or sanity, to watch the spot?

Tales from the Storm Volume 1: A Collection of Horror Stories
The storm rages on, leaving death and destruction in its path. With the chaos comes strange tidings and wicked ordeals. 

From C.R. Langille, author of the Dark Tyrant Series comes a collection of weird and horrifying stories spanning all across history: the Spanish Conquest; the Old West; present day; and even a desolate, apocalyptic future.

Haunted hotel rooms, mysterious, mind-bending spots, infernal cargo, and misplaced wishes abound in this collection. 

Stories Included:
The Spot
Brine & Blood
The Deep Well
All Aboard
Damned
The Scratch
Horishi Tom

Only one thing is certain when the storm passes by--nothing will ever be the same again.

Things have been pretty crazy in the Langille house as of late. For one, my kids picked up a virus at day care, RSV to be exact. I'm pretty sure RSV translates to, really shitty virus. Here's the funny thing too, I don't even need to take my kids to day care. My mom lives with us and helps out tremendously by watching the kiddos while my wife and I work. She's a godsend. That being said, my kids are in the house most of the day and don't get to interact with anyone outside of family, especially other kids. My oldest, who is three years old, LOVES playing with other kids. Whenever we go to the park, or Kangaroo Zoo, or anywhere else another kid could possibly be, she lights up and wants to play. Enter the day care....

I've been wanting to get them to a place where I could have them play with other kids. We found this day care that seemed pretty good and safe, so we took them there for 1.5 hours. Both my children had a blast! Loved every second of it and still talk about wanting to go back to this day. However, they brought back a special friend named RSV. This virus has swept through our house taking us all out one by one. Plus, RSV likes change. It can't just be a simple virus, no it changes into sinus infections and ear infections. Double plus, it doesn't know when to leave. It gets its grubby little talons hooked into you and won't let go. We've been dealing with thing in one form or another for two weeks now.

Coughing, puking, infected eyes, fevers, crying, ER visits, Insta-care visits...the whole shebang. #partofit. #nosleepfortheweary #OMGcanweallstopbeingsicknowplease

Basically what this translates into is, go to work, come home take care of sick kids, rinse and repeat. Progress on much else has come to a halt. I'm hoping there is a bright side, that perhaps they are growing antibodies to this particular strain and won't be affected again. 

Meanwhile, my writing has come to a slow crawl. The time I used to find is fading away and I haven't found a new groove yet. The shitty thing, is that I've got a deadline looming so I need to kick it into new gear and get the words flowing again. Along with that particular deadline (book three of the Dark Tyrant Series by the way), I've got so many other projects I want to start it's insane. I need time. Which brings me to my next point: the future (future, future, future, future....echoes).

I'm less than 18 months away from retiring from my current career. If things work out, the stars align, and Cthulhu wakes from his dreamlike slumber, then I can step away from the grind and focus on raising kids and writing books. I find the future to be exciting and scary as F#&K! I've got no idea how it's going to turn out. I suppose nobody does really. What I'm hoping for, is that with the new time I can really kick my writing in to high-gear and fully embrace that part of me. I know it is going to take discipline to make it happen, but I also know that I can do it if I put my mind to it. Which is why I need to get back into the groove NOW. I can't keep waiting for the proverbial later. I think to keep me honest, I'll post regular updates on my works-in-progress.

Finally, on top of all of this, I found out that I drew out for a Black Bear hunting tag! About three or four years ago I got an itch that I wanted to hunt and eat a bear. I'd done a lot of research and found tons of info saying how tasty they are and how incredibly hard to hunt they are. I started putting in for the draw. Well fast forward to now, three years later, and I finally drew a tag. My reasons for wanting to hunt a bear go deeper than mere curiosity. There's something about it that draws me in. Bears are elusive, and the particular hunt I've drawn means I either have to use dogs or spot-and-stalk. I don't have bear dogs, nor do I know anyone with dogs, so it means I've got to spot-and-stalk which also means that my hunt just got that much more difficult. Bottom line, I'm looking forward at the prospect of getting into some new wilderness, pursuing new game, and putting my hunting skills to the ultimate test. (Given my track record, the bears will probably be very safe around me)

I'll keep you all posted on what happens with this, and it may be the only time I ever go bear hunting. If you don't approve of hunting, I can understand that and respect it. It's definitely not for everyone. I'm not here to argue my point. I'm just here to share my experience. 

Final thoughts...stay healthy, stay active, keep writing, and beware the Really Shitty Virus!